Tuesday, December 20, 2011

How Does One Obtain Power?

There are many ways to obtain power.  While money does have a lot of influence on people, I believe that true power comes from other places.  People that are only influenced and controlled by money does not really mean that you have power over them.  Just because you pay someone does not ensure that they will always be under your control.  Someone that has more money than you or is willing to pay more will easily switch allegiances.  A good example of this is in the workplace.  People are constantly leaving and coming because their bosses are paying them.  This does not mean that they are fully controlled by you.  True power is not bought, but earned.

I believe that through contacts, one can achieve power.  I think that the most important and powerful people in history have become powerful because of the people that they knew and hard work.  Everyone knows that one can not get anywhere in life without working a little bit.  People of power did not always have the power that they have today and they had to have help from others to gain the power.  Through people that the person knew, they were able to use them and gain power of their own.  They could rely on the person to help them and because the relationship was stronger than if they just paid the person because they can relate to each other more.  They know each other better and are more willing to help the person out of good will and not because they are being paid.  They are also more likely to help one out more than once unlike if all that was connecting you and them was money. 

Also, through the people that you influence and are influence by you, you can obtain power.  I think that the people that you influence and the people that are influenced by you will give you more power because the people are willingly following and believing you.  While an absolute monarchy or dictatorship will have more power, the leader of a democratic country will have more people behind them.  A dictator is always looking over their shoulder for the next assassin or making sure that anyone with a problem with him is killed.  A democratic leader will have the comfort of knowing that people were behind them and that they are willingly following them.  They can control them more easily and with less resistance and cooperation of the people that they have power over.  A person that influences many people effectively controls them because they impact their lives in many ways.  Anything that you do will affect people because what they do is influenced by you. 

Sunday, December 11, 2011

Sonny and Michael: Character Foils

Sonny and Michael are brothers, friends and character foils.  There are many examples of how they are character foils throughout the movie and I will highlight them.  First, however, what is a character foil?  A character foil is two characters that are put into the same situation but choose different paths -- highlighting their differences.  The first instance that we get a sense of them is during the wedding at the beginning of the movie.  Sonny is busy having sex with another woman while Michael is relaxed, quiet and not as hands on.  Sonny is shown as the aggressive one while Michael is the reserved one. 

Sonny is a brash, over-reactive person.  This is shown when Connie is getting beaten by her husband.  Without thinking, he rushes off to defend her without thinking.  Michael has shown that he would have thought about what could happen and then act appropriately.  Sonny has a huge temper that gets the best of him sometimes and ultimately led to his death.  Michael, on the other hand, has shown that he is more of a thinker.  This is best shown when he volunteers himself to kill McClusky and Sollozzo. 

Michael is the only one that understands the situation that the family is in.  Vito is in the hospital and Sollozzo's men have just tried to assassinate him.  Sonny's brash, over-reacting personality is, for once, not affecting his decision.  Michael, however, has analyzed the situation that they are in and realizes that there is no other way out of this mess.  He understands the consequences of his decision and Sonny is being the reserved one.  Understanding the consequences and the situation was able to help Michael make a case for killing both of the men and convince Tom and Sonny that killing the men is the only option.  By always thinking before reacting, Michael is the foil for Sonny.

Is Coppola Commenting on War?

There has been one of many conflicts in The Godfather that I am commenting on.  When Michael kills Sollozzo and McClusky, he starts a war.  However, I believe that it started even earlier.  I think that the war started with the killing of Luca Brasi.  The Corlerone's then killed Bruno Tattalgia's son.  I think that public opinion is important and they retaliated not only to avenge a death, but to appear to the other families as strong.  To appear strong as well, the Tattaligia's killed Sonny.  Neither side wanted to seem weak so they retaliated by killing. This will eventually lead to war.

There was one line in the movie that makes me question Coppola.  Clemenza says "[p]robably all the other Families will line up against us. That's alright --this thing's gotta happen every five years or so -- ten years -- helps to get rid of the bad blood. Been ten years since the last one" (The Godfather Transcript). The quote makes the viewer think that Clemenza is all for war and that it has to happen eventually.  I think that Coppola is stating that no matter what happens, there will be wars.  This may be indirectly stating that humans are wired to be violent.

Sunday, December 4, 2011

Michael's Development

During the course of the movie, Michael underwent major changes. From the beginning of the movie to the killing of Sollozzo and Captain McClusky, Michael becomes more intertwined in the world of the mafia.  While he is becoming more intertwined with the mafia, he is becoming closer to his father.  One of his first lines was, "that's my family, Kay.  It's not me" (The Godfather Transcript).  That contradicts what his father believes.  That all changes once an attempt is made on his fathers life. This pushes him toward the threshold of no return.  The attempted killing of Vito Corleone, changes Michael.  The real value of family is shown through this situation.  No matter how much Michael despises the mafia way of life, family is family.  His values and morals evolve a little from I do not want anything to do with this; to I need to exact revenge.

Michael is sitting on the, "initiation" stage of the hero's journey (Joseph Campbell).  He is going to complete a task that sets him on his journey.  Before Vito was shot at, Michael did not have much of a role in the film.  It is becoming clearer that he is the overall hero of the story.  He is becoming more active and the shooting is what one could say was the call to duty.  He is the prototypical reluctant hero because he does not want to be called into action.  It is so obvious that he does not want to be involved that he states it.  The weapon that he will use is a gun.  It will never be traced back to him and there are many different mentors that have taken him under their wings.  Clemenza, Tessio, Sonny and Tom have all shown him the way and he just has to complete it.  Michael has changed a lot in the recent events and he has grown into someone that is more respected and feared.

Monday, November 28, 2011

Shots Using the Door

Shots through a door has been a recurring theme throughout the movie. The door could mean many things, but I believe that it is a symbol for transitions.  There are many instances that support my thought throughout the movie.  The first is at the beginning of the movie.  Bonasero is inside requesting mafia to help him.  Outside; however, is a huge party.  The shots that are from inside the door are more sinister, but, once the camera is outside the door, everything is nice and happy.  Another instance of a shot through a door is when Luca Brasi is gettting ready to meet the Tattaglias.  The fact that it is shot through a door makes you think that something is up.

Doors can also be symbolic for a threshold.  When the shots are shown outside or through a door, things seem to be calmer and more civilized.  When the shots are inside, the mafia's work is there.  The shots could be a metaphor that every man is not what they appear.  There is what he projects on the outside, but there is a sinister side to him and this is shown through the shots inside.  The shots through the doors are able to give the audience a view of the inner workings.  They give the viewer the sense that they are there and are on the verge of finding out what is going on, but not quite there.  This is an effective technique that the director has used to create more suspense in the film.

Sunday, November 27, 2011

The Hero of "The Godfather"

Who is the hero of The Godfather?  I believe that the hero of the film is Vito Corleone.  I believe that he is the hero because of the deeds that he does for others.  In the very first scene of the movie, Bonasero comes to him for help.  According to dictionary.com, a hero is, "a person who, in the opinion of others has heroic qualities" (dictionary.com).  I have not watched a lot of the film yet and I do not know the whole story; however, i have watched enough to distinguish a hero to the point that I am at.  In the eyes of Bonasero, Vito is a hero because he has provided him with the justice that the courts could not.  He has performed a heroic deed by making the kids that beat on his daughter suffer.  Another character that could consider Vito a hero is Johnny Fontaine.  Vito has done many things that have helped him.  He got him out of a contract so that he could begin his career.  Then he convinced the director of a movie to give him a part in a movie.  These are deeds that normal people could not accomplish.  Whenever Johnny Fontaine has needed help, he has turned to Vito Corleone.  Every time that he has turned to Vito, the Don has been able to help him.  That is one reason that Vito is the hero of the story.


Michael Corleone could be considered to be the hero of the film.  I, however, do not believe that.  In the parts that I have watched, Michael has not been a factor in the story.  From what I have watched, Vito has been, not only the main character, but the hero as well.  "There are certain characteristics that every hero's journey has" (Joseph Campbell).  Vito has either done or is in the process of many of these characteristics.  Vito lost his parents when he was a young boy and had to cross the Atlantic Ocean.  Vito has a loyal band of followers in the Mafia.  His sons to Luca Brasi to other smaller families are all his followers and under his control.  While I think that there are certain parts that Michael will go through, he has not shown that he has embarked on a journey so he can not be considered a hero.